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一(🈯)直作為米路斯．科曼劇本鐵三角（另一位(🃏)是帕培錫，也是(shì )本(🤢)片(🤴)編(🍥)劇(jù )之一(🎗)）成員(🥈)的(🐉)艾雲．巴薩，當然也(💤)走(zǒu )(😧)低(dī )(🎾)度戲劇路線。同是音(🏇)樂家(📼)的(de )彼(bǐ )德與卡洛(luò )老(🔸)友(👑)重逢(🤷)，生活狀況大(dà )(👁)不同，你有伴(bàn )(🛹)侶我有(🚥)家(jiā )庭，然而都有說不出的不明朗，唯有(yǒu )以(🥀)酒與音樂代替口水(⏺)。全片推展不問(wèn )目的(📯)，只在剎(chà )那間(jiān )的意(💱)圖(tú )，行行企企比起(💻)科曼(màn )更義無反顧(gù )，卻有生活淡如(👓)流(🙀)水的詩(shī )意和(⏰)繆思(🍄)，叫觀眾聯(lián )想(🔔)到二(🤲)十(🕙)年(⛳)後的伊力．(🏯)盧(🤳)馬。巴薩鍾愛(ài )音樂的(de )程度不下(xià )於文字和電影，古典音樂與(💍)民間音(🦇)樂於全片迴(huí )轉(🌹)迴盪，難怪成了奇斯洛夫斯基(jī )十(💯)大心愛電影之一。 (🤔) 康城(⏲)影展青年評(píng )審團(tuán )獎，美國全國影評人協(🚲)會(📐)特別獎 (🆙)這部1966年(nián )的珍品，是(shì )捷克新浪潮短暫生命中最佳(jiā )作(🛃)品之(zhī )一(🧘)。成名(❓)音樂家到小鎮探訪舊同學(🏸)，舊同學是個窮(qióng )音樂教師(shī )，有時在喪禮上吹(chuī )奏(zòu )樂(lè )曲。平凡的素(sù )材(cái )在巴素手(🍾)裡，變(biàn )出風(🐇)趣復罕見(jiàn )的旋律(lǜ )，一部(🎁)憂(yōu )鬱的喜劇，或灰色(👔)喜劇(🔮)。 - Dave Kehr, Chicago Reader (🏉)Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🆒) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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